This new release from Sony presents Glenn Gould’s complete Bach recordings for Columbia Masterworks in a neat and handy 30 album set, pulled from the 2015 remastered complete collection. 1. Glenn Gould Edition - Bach: The Art of the Fugue (Excerpts), Prelude and Fugue on BACH, BWV 898 1997 Bach: The Goldberg Variations, BWV 988 (1955 Mono Recording) 1956 Albums You May Also Like. To commemorate what would have been Gould's 75th birthday, the Canadian Museum of Civilization held an exhibition titled Glenn Gould: The Sounds of Genius in 2007. Notable productions include his musique concrète Solitude Trilogy, which consists of The Idea of North, a meditation on Northern Canada and its people, The Latecomers, about Newfoundland, and The Quiet in the Land, about Mennonites in Manitoba. Browse more videos. 902, BWV 902a: Prelude in G Major, BWV 902a, Prelude and Fughetta in G Major, BWV 902, Prelude in G Major to the Fughetta No. Glenn Gould (piano) Bach, J S: Two-part Inventions Nos. The Royal Conservatory of Music Professional School in Toronto adopted the name The Glenn Gould School in 1997 after their most famous alumnus. You must have that immediacy of response, that control over fine definitions of things."[27]. This profoundly affected him. To this day renowned Canadian pianist Glenn Gould (1932 – 1982) continues to … "The answer is, of course, sometimes the one and sometimes the other, depending on the people involved. He went so far as to conduct an experiment with musicians, sound engineers, and laypeople in which they were to listen to a recording and determine where the splices occurred. [108] François Girard's Genie Award winning 1993 film, Thirty Two Short Films About Glenn Gould includes documentary interviews with people who knew him, dramatizations of scenes from Gould's life, and fanciful segments including an animation set to music. In 2007, Foss confirmed that she and Gould had had a love affair lasting several years. The institution of the public concert, he felt, degenerated into the "blood sport" with which he struggled, and which he ultimately rejected.[30]. Performing the first movement of Bach's Keyboard Concerto No. Gould was averse to the cold, and wore heavy clothing (including gloves), even in warm places. [fn 12] There, he could control every aspect of the final musical "product" by selecting parts of various takes. For a pianist such as Van Cliburn, 200 concerts would have amounted to about two years' touring.[41]. [17] He used this famous chair for the rest of his life and took it with him almost everywhere. His mother, hoping for him to become a successful musician, had exposed him to music during her pregnancy. He invariably insisted that it had to be extremely warm. He later described the experience: It was Hofmann. [100], Gould was not only a pianist, but also a prolific transcriber of orchestral repertoire for piano. $7.99. [101] There is little critical commentary on Gould's compositions for the simple reason that there are few of them; he never succeeded beyond Opus 1, and left a number of works unfinished. On 5 June 1938, at the age of five, Gould played in public for the first time, joining his family on stage to play piano at a church service at the Business Men's Bible Class in Uxbridge, Ontario, in front of a congregation of about two thousand. He recounted his recording of the A minor fugue from Book I of The Well-Tempered Clavier and how it was spliced together from two takes, with the fugue's expositions from one take and its episodes from another. Glenn Gould. [43] Gould was renowned for his peculiar body movements while playing and for his insistence on absolute control over every aspect of his environment. Gould's mother would urge the young Gould to sit up straight at the keyboard. A CBC profile noted, "sometime between two and three every morning, Gould would go to Fran's, a 24-hour diner a block away from his Toronto apartment, sit in the same booth, and order the same meal of scrambled eggs. But I assure you, he was an extremely heterosexual man. 1 In C Major 2. He was one of the best known and most celebrated pianists of the 20th century, and was renowned as an interpreter of the keyboard works of Johann Sebastian Bach. All three use a radiophonic electronic-music technique that Gould called "contrapuntal radio", in which several people are heard speaking at once—much like the voices in a fugue—manipulated through overdubbing and editing. In his writing, Gould praised certain composers and rejected what he deemed banal in music composition and its consumption by the public, and also gave analyses of the music of Richard Strauss, Alban Berg and Anton Webern. The only organ recordings Gould made were the first nine parts of Bach's. In outtakes of the Goldberg Variations, Gould describes his practising technique by composing a drill on Variation 11, remarking that he is "still sloppy" and with his usual humour that "a little practising is in order." Bach*/ Glenn Gould- The Well-Tempered Clavier, Book I Complete (Preludes And Fugues 1–24)‎(3xLP, Comp, RE + Box) Columbia Masterworks. The live radio broadcast was subsequently released on CD, Bernstein's disclaimer included. For the rest of his life, Gould eschewed live performance, focusing instead on recording, writing, and broadcasting. It tends to have a mechanism which is rather like an automobile without power steering: you are in control and not it; it doesn't drive you, you drive it. Glenn Gould - Bach - BWV 891 - Prelude and Fugue. J.S. As early as two weeks after leaving her husband, Foss noticed disturbing signs in Gould, alluding to unusual behaviour that was more than "just neurotic". Gould asks why the epoch in which a work is received influences its reception as "art", postulating a sonata of his own composition that sounds so like one of Haydn's that it is received as such. It had reached the stage, Bazzana writes, that "he was taking pills to counteract the side effects of other pills, creating a cycle of dependency". "[48] Leonard Bernstein said, "There is nobody quite like him, and I just love playing with him. His last recording as a conductor was of Wagner's Siegfried Idyll in its original chamber-music scoring. Gould's perspective on art is often summed up by this 1962 quote: "The justification of art is the internal combustion it ignites in the hearts of men and not its shallow, externalized, public manifestations. Gould claimed that his singing was unconscious and increased in proportion to his inability to produce his intended interpretation from a given piano. That he was not able, by himself, to fashion a bridge between them is neither surprising, nor, in the end, disappointing. No performer after him can avoid the example he sets ... Now, everyone must perform through him: he can be emulated or rejected, but he cannot be ignored. Gould rejected most of the standard Romantic piano literature by Chopin, Liszt, and others, in favour of Bach and Beethoven mainly, along with some late-Romantic and modernist composers. He argued that public performance devolved into a sort of competition, with a non-empathetic audience (musically and otherwise) mostly attendant to the possibility of the performer erring or not meeting critical expectation. ), 100, Liszt's piano transcriptions of Beethoven's symphonies, Canadian Academy of Recording Arts and Sciences, National Academy of Recording Arts and Sciences, Best Classical Performance – Instrumental Soloist or Soloists, Gould Estate v Stoddart Publishing Co Ltd, "The three-cornered world of Glenn Gould and Natsume Soseki", "The Dogs of Pianist Glenn Gould: In the Key of Woof", "Glenn Gould is a rising star " The Story", "Leonard Bernstein and Glenn Gould don't see eye to eye", "Music: Inner Voices of Glenn Gould; Pianist Plays Them in Addition to Brahms Bernstein Speech Hits at the Interpretation (article abstract)", "Glenn Gould: Variations on an Artist » Gould on his eccentricities » Did you know? In a lecture and essay titled "Forgery and Imitation in the Creative Process", one of Gould's most significant texts,[81] he makes explicit his views on authenticity and creativity. 1 in D minor, BWV 1052, with Leonard Bernstein conducting the New York Philharmonic. 1 … Yet it is not the work that has changed but its relation within the accepted narrative of music history. Find album reviews, stream songs, credits and award information for Bach: The Well-Tempered Clavier, Book 2 - Glenn Gould on AllMusic - 1993 He ate one meal a day which was supplemented with arrowroot biscuits and coffee. The piano had to be set at a certain height and would be raised on wooden blocks if necessary. Later works include the Lieberson Madrigal (soprano, alto, tenor, bass [SATB] and piano), and So You Want to Write a Fugue? He often hummed or sang while he played, and his audio engineers were not always successful in excluding his voice from recordings. Gould recorded several Handel suites and a few pieces from J.S. [50] Plans for a studio recording of the performance came to nothing. Gould believed the piano to be "a contrapuntal instrument," and his whole approach to music was, in fact, centered in the baroque. A new recording of the Goldberg Variations, made in 1981, would be among his last albums; the piece was one of only a few he recorded twice in the studio. Playing next. comment. 4.4 out of 5 stars 76 ratings. His television collaboration with American violinist Yehudi Menuhin in 1965, in which they played works by Bach, Beethoven and Schoenberg, was called a success by Stegemann (1993b) because "Menuhin was ready to embrace the new perspectives opened up by an unorthodox view". D3S 733. Glenn Gould (Artist) Format: Audio CD. [6][7] The family's surname was changed to Gould informally around 1939 to avoid being mistaken for Jewish, given the prevailing anti-Semitism of pre-war Toronto and the Jewish associations of the Gold surname. Bach, stating that the Baroque composer was "first and last an architect, a constructor of sound, and what makes him so inestimably valuable to us is that he was beyond a doubt the greatest architect of sound who ever lived". Glenn Gould - Bach - BWV 891 - Prelude and Fugue. This is especially evident in his (frequent) attempts at humour and irony. [6] The chair was designed so that Gould could sit very low at the keyboard, and allowed him to pull down on the keys rather than striking them from above, a central technical idea of his teacher at the Conservatory, Alberto Guerrero. 30, selections from Bach's The Art of Fugue, and Paul Hindemith's Piano Sonata No. Glenn Gould Addeddate 2019-11-05 21:46:05 Identifier glenngould_201911 Scanner Internet Archive HTML5 Uploader 1.6.4. plus-circle Add Review. Gould was widely known for his unusual habits. ... Bach, Prelude & Fughetta in e, BWV900 - 1 Prelude.ogg download. The C major prelude from the first book of the WTC. [39] On 10 April 1964, Gould gave his last public performance, playing in Los Angeles, at the Wilshire Ebell Theater. [111] He was inducted into Canada's Walk of Fame in Toronto in 1998, and designated a National Historic Person in 2012. Bach: The Well-Tempered Clavier, Book I; Preludes and Fugues 1-8. 1.2M . [12] Gould's interest in the piano was concomitant with an interest in composition. [117], Gould received many honours both during his lifetime (while claiming to despise competition in music) and posthumously. [29] He associated this drift towards hedonism with the emergence of a cult of showmanship and gratuitous virtuosity on the concert platform in the 19th century and later. Despite a certain affection for Dixieland jazz, Gould was mostly averse to popular music. ", In "Bach the Nonconformist"; Roberts (ed. He was a prolific contributor to musical journals, in which he discussed music theory and outlined his musical philosophy. If, instead, the sonata had been attributed to an earlier or later composer, it becomes more or less interesting as a piece of music. The disc of recordings was placed on the spacecraft Voyager 1. It is likely that this habit originated in his having been taught by his mother to "sing everything that he played", as his biographer Kevin Bazzana puts it. Although his recordings were dominated by Bach and Beethoven, Gould's repertoire was diverse, including works by Mozart, Haydn, and Brahms; pre-Baroque composers such as Jan Pieterszoon Sweelinck, William Byrd, and Orlando Gibbons; and 20th-century composers including Paul Hindemith, Arnold Schoenberg, and Richard Strauss. [114] The Glenn Gould Studio at the Canadian Broadcasting Centre in Toronto was named after him. "[105], One of Gould's performances of the Prelude and Fugue in C major from Book II of The Well-Tempered Clavier was chosen for inclusion on the NASA Voyager Golden Record by a committee headed by Carl Sagan. Listeners regarded his interpretations as ranging from brilliantly creative to outrightly eccentric. [9], Gould's interest in music and his talent as a pianist were evident very early. Thus, the act of musical composition, to Gould, did not entirely end with the original score. Gould also collaborated with members of the New York Philharmonic, the flautist Julius Baker and the violinist Rafael Druian in a recording of Johann Sebastian Bach's Brandenburg Concerto No. Glenn Herbert Gould [fn 1] [fn 2] (25 September 1932 – 4 October 1982) was a Canadian classical pianist. [11] He learned to read music before he could read words,[6][12][13] and it had been observed that, at age three, he had perfect pitch. See all formats and editions. [91] He was fond of a number of lesser-known composers such as Orlando Gibbons, whose Anthems he had heard as a teenager,[92] and whose music he felt a "spiritual attachment" to. Gould won four awards, but, as with the Junos, accepted only one in person. [77] Weighing this statement against Gould's highly individualistic lifestyle and artistic vision leads to an apparent contradiction. Both his parents were musical, and his mother, especially, encouraged the infant Gould's early musical development. 1) came in 1953 on the short-lived Canadian Hallmark label. He is buried next to his parents in Toronto's Mount Pleasant Cemetery (section 38, row 1088, plot 1050). Bazzana writes that "it is tempting to assume that Gould was asexual, an image that certainly fits his aesthetic and the persona he sought to convey, and one can read the whole Gould literature and be convinced that he died a virgin"—but he also mentions that evidence points to "a number of relationships with women that may or may not have been platonic and ultimately became complicated and were ended". Amazon.com. Bach (Composer) Format: Audio CD. 67, was deemed an "outright fiasco". The foundation's mission "is to extend awareness of the legacy of Glenn Gould as an extraordinary musician, communicator, and Canadian, and to advance his visionary and innovative ideas into the future", and its prime activity is the awarding, triennially, of the Glenn Gould Prize to "an individual who has earned international recognition as the result of a highly exceptional contribution to music and its communication, through the use of any communications technologies. While the test was hardly scientific, Gould remarked, "The tape does lie, and nearly always gets away with it".[80]. The Conservatory received its. [58], One piece of evidence arrived in 2007. He would play his own little pieces for family, friends, and sometimes large gatherings—including, in 1938, a performance at the Emmanuel Presbyterian Church (a few blocks from the Gould family home) of one of his own compositions.[14]. He was attracted to the technical aspects of recording, and considered the manipulation of tape to be another part of the creative process. This item: Glenn Gould plays Bach: The Well-Tempered Clavier Books I & II, BWV 846-893 by Glenn Gould Audio CD $16.12 In Stock. 17 in A-flat Major, BWV 862: Fugue He also made recordings of the complete piano works Lieder by Arnold Schoenberg. (Gould grew up in Toronto at the same time that Canadian theorists Marshall McLuhan, Northrop Frye, and Harold Innis were making their mark on communications studies. On a visit to Steinway Hall in New York City in 1959, Gould was greeted by the chief piano technician at the time, William Hupfer, with a slap on the back. [120] In 1983, he was honoured posthumously, being inducted into the Grammy Hall of Fame for his 1955 recording (released in 1956) of the Goldberg Variations.[121]. ", "Christopher Foss grew up with Glenn Gould, but never got to say goodbye", "Ottawa; An Exhibition of Glenn Gould Memorabilia Sheds A Little Light on A Musical Enigma", "Being Glenn Gould – The Adelaide Review", "Wildlife: On the trail of Count von Svoboda and Glenn Gould", "The Prospects of Recording – Resources – The Glenn Gould Archive", "The Variations of Glenn Gould: Legendary, Eccentric Pianist Launched His Career by Playing Bach", "Glenn Gould " The CBC Legacy " Timeline of a Musical Genius", "Glenn Gould's fascination with Petula Clark (excerpt)", Harper Government Celebrates Glenn Gould as National Historic Person Canadian cultural icon commemorated at plaque unveiling ceremony, "Glenn Gould: The Sounds of Genius » Credits", "Dr. José Antonio Abreu Awarded Coveted 2008 Glenn Gould Prize", "The Glenn Gould School " Key Facts and History", "Home " The Recording Academy " The GRAMMY Awards " GRAMMY Hall of Fame", "Late Toronto pianist Glenn Gould receives Grammy lifetime achievement award", "How Mozart Became a Bad Composer" by Glenn Gould, in, Podcast about Glenn Gould from Library and Archives Canada, "Glenn Gould collected news and commentary", https://en.wikipedia.org/w/index.php?title=Glenn_Gould&oldid=996539818, Juno Award for Classical Album of the Year – Solo or Chamber Ensemble winners, Grammy Lifetime Achievement Award winners, Persons of National Historic Significance (Canada), Burials at Mount Pleasant Cemetery, Toronto, All Wikipedia articles written in Canadian English, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 27 December 2020, at 05:31. Released: 1965. Similarly, Gould notes the "pathetic duplicity" in the reception of high-quality forgeries by Han van Meegeren of new paintings attributed to the Dutch master Johannes Vermeer, before and after the forgery was known. A doomsday scenario …. Glenn Gould Discusses His Goldberg Variations With Tim Page ((Gould Remastered)) Glenn Gould… [53] These facets of Gould, whether interpreted as neurosis or "play",[54] have provided ample material for psychobiography. 1 in D minor (BWV 1052) with Leonard Bernstein conducting the New York Philharmonic. [40] Among the pieces he performed that night were Beethoven's Piano Sonata No. On August 25, 2012, the spacecraft became the first to cross the heliopause and enter the interstellar medium.[106]. One of Gould's reasons for abandoning live performance was his aesthetic preference for the recording studio, where, in his words, he developed a "love affair with the microphone". In 1983, Gould was posthumously inducted into the Canadian Music Hall of Fame. Gould produced his final recordings himself, beginning with this Bach album in January and February 1980. He is also heard practising other parts of the Goldbergs. He performed on television and radio, and produced three musique concrète radio documentaries called the Solitude Trilogy, about isolated areas of Canada. As a teenager, Gould had written chamber music and piano works in the style of the Second Viennese school. 902, BWV 902a: Fughetta in G Major, BWV 902, 9 Little Preludes, BWV 924-932: Praeambulum in C Major, BWV 924, 9 Little Preludes, BWV 924-932: Praeambulum in F Major, BWV 927, 9 Little Preludes, BWV 924-932: Prealudium in D minor, BWV 926, 9 Little Preludes, BWV 924-932: Praeludium in D Major, BWV 925, 9 Little Preludes, BWV 924-932: Praeludium in F Major, BWV 928, 9 Little Preludes, BWV 924-932: Praeambulum in G minor, BWV 930, Three Little Fugues from Klavierbuchlein fur Wilhelm Bach: Fugue in C Major, BWV 952, Three Little Fugues from Klavierbuchlein fur Wilhelm Bach: Fughetta in C minor, BWV 961, Three Little Fugues from Klavierbuchlein fur Wilhelm Bach: Fugue in C Major, BWV 953, Prelude and Fugue in A minor, BWV 895: Praeludium, Prelude and Fugue in A minor, BWV 895: Fuga, Prelude and Fughetta in E minor, BWV 900: Praeludium, Prelude and Fughetta in E minor, BWV 900: Fughetta. Glenn Gould, né le 25 septembre 1932 à Toronto au Canada et mort le 4 octobre 1982 dans la même ville, est un pianiste, compositeur, écrivain, homme de radio et réalisateur canadien [1].Il est connu pour ses interprétations pianistiques du répertoire baroque, en particulier pour deux enregistrements des Variations Goldberg de Jean-Sébastien Bach (1955 et 1981). Report. Ships from and sold by Amazon.com. See, Friedrich first states that Gould performed the Beethoven Piano Sonata No. 1) was met with mixed reaction: the Christian Science Monitor and Saturday Review were quite laudatory, while the Montreal Star was less so. Extracts from "The art of Piano" documentary show Glenn Gould playing J.S.Bach's Partita #2 Gould was the first pianist to record any of Liszt's piano transcriptions of Beethoven's symphonies (beginning with the Fifth Symphony, in 1967, with the Sixth released in 1969).