It’s the dream intruding on Diane’s fantasy world, going, “Not so fast. A blonde waitress named Betty serves her. If there was an easy answer about what it was about, it wouldn’t be so great. Remember, everything that happened to Adam in Diane’s dream was a revenge fantasy that she inflicted on him. MULHOLLAND DRIVE (2001). Diane also switches her personality with Camilla’s. Because it’s a trap, it’s designed in a way as to not cause suspicion. David Lynch, 2001) are consistent with this idea because their narratives follow an individual human subject from an anecdotally significant beginning to their death. So, the singer symbolizes her grief over Camilla’s death (“crying over you”) and perhaps her regret at having killed her. One popular theory about the duality of Betty and Diane … Rita consents. Diane figures out that Rita has been involved in a mysterious car accident. 2.700-5.000 K 833306 15.000 x <0,5 s 04/2019 16 3x LED-Board 24VDC / 14W 3 3.1 a = N b = L 5,3mm 230V/50Hz~ 14 W 1.650 lm 45W 2.085 lm 25.000 h Diane wakes up into the cold hard reality in which she’s a nobody living in a dumpy apartment, and is now being pursued by detectives. Mulholland Drive Angelo Badalamenti David Lynch Format: Audio CD. Browse more than 30 other categories of academic papers. Every so often, the dream threatens to upset the narrative by referencing all the bad stuff that happened in real life. Regarding the other point, the main reason why I think that’s not a revenge fantasy and a wishfulfilment one is because I find it fits better with the themes of the story, how she feels she was sold on a giant lie we know as hollywood. David Lynch Mulholland Drive essay from our essays database at Essays Bank. She trembles violently–not because she is spooked by the bolt, but because she has finally realized the horrible truth: this is all a dream. According to Justin Theroux, David Lynch made the movie by listening to his subconscious, and is therefore happy to let viewers come up with any interpretation they like; there is no right or wrong answer. Allez, on se lance et on tente une explication. The second half of the movie, on the other hand, represents a tough reality crashing down upon the carefree dreamscape like a battering ram. The idea that the earlier scene with Bob Brooker has any bearing on Adam doesn’t really make sense to me, because that scene with Brooker in and of itself was enough to explain why she didn’t get the part for the Sylvia North Story. This mental trickery of swapping everyone out for each other is Diane thwarting the dream’s insistence in reminding her of what she did. Above is more or less the consensus behind Mulholland Drive’s explanation. Betty and Rita have one of the most positive relationships in David Lynch’s filmography (often marked by turbulent, unhealthy relationships), while the use of mirrors and doppelgangers throughout the film play into imagery that is commonly used to represent gay desires. Diane hands the hit man, a scruffy-bearded blonde man named Joe, a large wad of cash. In any case, you could be right, too, that it’s a reference to Diane’s desire to kill herself. Mulholland Drive is a street and road in the eastern Santa Monica Mountains of Southern California. But even if it were, I’m confident that it’s also about the dream trying to remind Diane about the murder. Later, when she’s in bed, she invites Rita to climb into bed with her. Article contenant des spoilers ! Film truth(s) by film lovers. One popular theory about the duality of Betty and Diane is that Betty is Diane’s projection of a happier life. What does the blue-haired lady in the theater say when Diane finally kills herself? She sees Adam as having stolen Camilla away from her. Chef-d'œuvre des années 2000 et incontournable de la filmographie de David Lynch, « Mulholland Drive » est une véritable énigme. Mulholland Drive ~ Mulholland Drive is a street and road in the eastern Santa Monica Mountains of Southern is named after pioneering Los Angeles civil engineer William western rural portion in Los Angeles and Ventura Counties is named Mulholland road is featured in a significant number of movies songs and novels. So, what it looks like is that Adam and Camilla showed up right in the beginning of Betty’s story arc to remind Diane of them and the murder. Diane (as “Betty”) doesn’t want to understand the reference (because it’s a reminder that Camilla is dead), so she forces Rita to take up her identity. Adam then gives into The Cowboy and casts her, but over the actress he had really wanted, a perky dark-haired actress named Carol. In the same way that the Wizard in the emerald city at last reveals his machinations to be "just" an illusion, the work of the film director, both in character as Adam, director of The Sylvia North Story, as well as outside as David Lynch, director of Mulholland Drive, are also creators of deceptions. As all this is happening, Diane plays out a revenge fantasy against Adam. However, Diane seems to remain genuinely dumbfounded, so when she has her dream, the real life nagging question of what the key will open gets played out as a mystery involving the blue box. Roman Polanski, 1976), and Mulholland Drive (dir. Probably no film has caused as much consternation as David Lynch’s Mulholland Drive (2001). She was staring up at the ceiling the entire time during the couch scene, which was really in her head. Whatever the case may be, Adam’s party causes her to snap. When Diane dreams up this big “mystery” about what the blue key in Rita’s purse opens, the dream conjures up a corresponding blue box to match it. The point of Diane’s dream is to create an idealized fantasy in which all the bad things that happened to her never occurred. There are two ways to interpret Diane’s actions when she gives Rita a blonde wig. Diane confesses her undying love for Rita. Yes, There’s Actually a Legit Explanation for Mulholland Drive (2001) Hoo boy. £30.00: £4.74: Today, our webmaster able to watch Mulholland Drive movie in HD Quality for free. Mulholland Drive is a movie in two halves of unequal length. Yet there are still many puzzling things that happened in the movie that to this day have people scratching their heads. So, if Diane had dreamed up this elaborate conspiracy to explain why she didn’t get the lead in Adam’s movie in real life, why would she be calm when the blonde Camilla got it in the dream? Instead of her being the one sitting at Winkie’s being paranoid about Dan, she made Dan paranoid of the bum that lives behind the diner. I will argue that the anthropomorphized narrative compels the subject’s suicide through the misrecognition of personal identity. It refers to death. This is why the key and cash appear in Rita’s purse. By pure dumb luck, joy riders smash into the limo, killing the hit men. Then Diane imagines that the man she had seen at Adam’s party in real life is now a shadowy figure called The Cowboy working on Camilla Rhodes’ behalf. Our provider provides higher than 236.066 files that are tagged into numerous choices such as animals, ninjas, sociology etc. The singer also symbolizes Camilla’s actual death–almost near the end of her performance, she suddenly collapses to the ground, as if she has died. Change ), You are commenting using your Twitter account. In real life, the blonde Camilla plants a sizzling kiss on the real Camilla at the dinner party Adam is hosting. What is known is that she had seen him (or someone who resembled him) in real life at Adam’s party. At some point, he tells her he will give her a key when the hit is done. It’s still uncertain. However, there is a problem. Movie Reviews - Mulholland Drive Plot Explanation & Analysis. Instead, what’s happening is that Camilla is becoming part of the Hollywood in-crowd while Diane is being left behind as a nobody and struggling actress barely scraping by. But do we really want to understand it? When Diane had the dream, the part of her mind that was paranoid about Dan in real life replayed the moment when she noticed him staring at her suspiciously while she was talking to Joe. The reason why is that she substitutes herself in place of Camilla, gives herself an alter ego named Betty and keeps Camilla alive in the form of Rita. Ben Sherlock is a writer, comedian, and independent filmmaker, and he's good at at least two of those things. Type Feature. other than that great analysis, probably my favourite lynch film. David Lynch’s Mulholland Drive is a puzzle-box of a movie, one that presents hallucination and reality as equal and indistinguishable partners. Regarding the dead body in the apartment, the reason why I think it’s a reference to Camilla is Rita’s reaction to seeing it. Diane then dreams that Camilla doesn’t get killed. Just then, Diane gets a mysterious blue box in her purse, which has a keyhole that matches a blue key that had been found in Rita’s purse days earlier. Academy Award–winning actor Jack Nicholson The elderly couple who appear as terrifying hallucinations in the final scene were seen two previous times–standing next to Diane in the opening scene of the movie when she won the jitterbug contest and later as a nice couple that Betty met when she first flew in from Canada. This actress has powerful connections in Hollywood and wants the lead in Adam’s movie. Viewers seem split into two camps. This is suggested by the fact that the old couple, who initially look sweet and unpretentious, drive away from the airport in a very fancy limousine. So Diane sees Camilla as the perfect person to hitch her wagon to. In other words, she is hoping that as Camilla’s star rise, she will be able to piggyback off her success. June 15, 2014. by Cenca Adrian. This is suggested in the scene where he asks a blonde woman if she’s seen any new women out on the street. So if you’re one of the skeptics, hopefully, this entry will clear the air. Would a person who’s clearly told another person several times in the past that they can’t see each other anymore show up to do that again, all naked and ready for sex? it makes sense she would fantasize that the director wanted her instead for the lead role. The DVD of 'Mulholland Drive' had no chapter stops at his insistence, and neither does the Criterion Blu-ray. He looks at her to see who has disturbed him this much and why. Adam casting Camilla was the moment in real life when Diane lost her and became left behind. But what? I recently watched Mulholland Drive for the first time after reading about how it is considered one of the best, if not the best, movie of modern times. However even then it is a futile attempt to describe the puzzling story that is Mulholland Drive. All seems well and Diane couldn’t be happier. When Dan approached the bum, he conveniently dropped dead. So, to make the explanation of Mulholland Drive easier, I will break it down into three parts–the reality, the dream and the reality again. In it, we see Camilla looking and acting extremely frustrated at Diane’s insistence that they stay together. interesting points of view, I don’t think we’ll ever get the other to agree with the opposing opinion but I think that’s kind of the point when Lynch never gives us any explanations about his films. Not only does his wife cheat on him and kick him out of his house, all his credit cards get maxed out and his bank accounts drained. Betty and Rita go the theatre, where a make-up streaked, exhausted woman sings an acapella Spanish version of Roy Orbison’s Crying. Of course as we move on those layers imposed by her subconscious between reality and dream get thinner and thinner until she eventually has to wake up. ATTENTION ! Diane Selwyn, a young blonde women with dreams of becoming a major movie star, flies out to California to jump start her acting career. Many people feel that the blue box in Diane’s dream is an object from real life. Diane, as “Betty”, refuses to acknowledge what this cash and money mean, so the dream does something very clever. Her rationale was that he was an old, out of touch fuddy-duddy who had no idea what he was doing or talking about. Others, who believe in the “Diane Was Abused” theory, think he was her abuser. The term literally refers to the rot and decay of corpses, but Lynch refers to the putrefaction of Hollywood. Mulholland Drive is the greatest study of a dream – and therefore of a trauma – ever seen in theatres, which takes place on three interlacing and overlapping levels – Reality… I mention this because in Mulholland Drive, there's likewise a scene where Justin Theroux (who is, at least by name, French) goes and meets a Cowboy at a corral. The reason I believe this dead body is diane and not a reference to camila being dead, is the fact that the body is not only in the same apartment complex diane lives in (the neighbour in the dream is also diane’s neighbour is real life) but also in the same bed where diane ends up killing herself (and where she is sleeping during this dream sequence). It’s debatable, and my money is on, “They were just friends; this sexual part was all in Diane’s head.” Many people point to the couch scene as the smoking gun that they were in a sexual relationship, assuming it was a flashback. Another interpretation is that Diane becomes so obsessed with Camilla that she loses her sense of identity. A one-stop shop for all things video games. How David Lynch Manipulates You: A Close Reading of Mulholland Drive. I don’t think this is the case at all. The one part of Mulholland Drive that really gives credence to this theory is the famous theatre scene. It's all an illusion, I see Mulholland Drive as a film about how corrupt people's minds are because of their failed dreams and aspirations. Mulholland Drive leaves a lot open to interpretation. It’s a masturbation fantasy gone wrong. Betty’s life is too good to be true, and some viewers think it really is. Blonde Betty Elms has only just arrived in Hollywood to become a movie star when she meets an enigmatic brunette with amnesia. The same could be said for Mulholland Drive, a movie that is all over the place and doesn’t really have a beginning or an ending (apart from the literal opening and closing shots). Betty, one of the blonde actresses is not Betty- Her real name is Diane Sellwyn. The box may also be an incorporation of what happened between her and Joe at the diner. Diane eagerly shows up, expecting perhaps to rekindle their “romance”. As a result, she became paranoid that he either knew what she was up to, or might’ve remembered her face long enough to later finger her to the two detectives investigating Camilla’s murder. When he refuses, he winds up having the worst day of his life. However,  her dark presence is so strong now that Adam is compelled to keep turning around and looking at her with suspicion: He then keeps gazing deeper and deeper into her eyes to figure her out, because “eyes are the windows to the soul.” This unnerves Betty because his suspicious gaze starts to cut too deep; if he keeps at it, he will soon uncover some dark truth about her that she doesn’t want to confront (the fact that she is really Diane, that she is the one who has been torturing him throughout the entire dream). Belle de jour (Bunuel, 1967), Mulholland Drive (Lynch, 2001), Le fabuleux destin d'Amélie Poulain (Jeunet, 2001) Le mythe de Pandore a cliché, depuis l’Antiquité grecque, les potentialités narratives de la boîte : contenant clos, elle dissimule aux regards et conserve des objets, concrets ou métaphoriques, qui, précisément parce qu’ils sont cachés, attisent les curiosités. In other parts of the world, the rights to 'Mulholland Drive' are held by Studio Canal, which previously released it on Blu-ray through several distributors in Europe, Australia and Asia. What makes Mulholland Drive a masterpiece is that the only thing that makes sense about it is that it’s truly hypnotic. ( Log Out /  Then Rita has a nightmare. This suggests that this blonde woman is romantically interested in Camilla and therefore a threat to Adam. She then investigates it. Unfortunately for her, her dream is not going to let her off that easy and decides, every so often, to put in little reminders of what really happened. Mulholland Drive is a twisting, turning road that tells a story of the history of Hollywood. One of the director’s most complex and challenging works is Mulholland Drive, his dark satire of the Hollywood film industry by way of exploring the dreamscape and boggling the mind with surreal imagery. Blowup (sometimes styled as Blow-up or Blow Up) is a 1966 mystery thriller film directed by Michelangelo Antonioni and produced by Carlo Ponti.It was Antonioni's first entirely English-language film, and stars David Hemmings as a London fashion photographer who believes he has unwittingly captured a murder on film. Others think that the bum may have been her fear that a homeless person discovered Camilla’s body or found out what she’d done. The road is featured in a significant number of movies, songs, and novels. that’s just my opinion though, Lynch’s films will always get these differing opinions out of people I guess. When the blonde Camilla auditions for Adam’s movie, Diane doesn’t seem all that upset. RELATED: 10 Best Performances In David Lynch Films. When Carol loses it to the blonde Camilla, Diane couldn’t be happier because the awful moment in real life when the real life Camilla won the role never happens, and she can now rest easy that Camilla is hers forever and not Adam’s. Next comes a sequence of images of a woman lying in a bed, and The Cowboy urging someone to “wake up.”. This trap explains why, when Rita opens the box, Diane wakes up. 5. Découvrez le sens caché du récit du film. Well, she can fool herself, but she can’t fool her subconscious. Print Email on Friday, 07 May 2010 23:46 Published Date by Frank Wilkins First of all - BACKGROUND INFORMATION. In the years since Mulholland Drive was released to critical acclaim, film buffs have been dissecting it and trying to work out exactly what it means. For example, the dead body in apartment 17 is really supposed to represent the murdered Camilla and is a reminder that Diane had her killed. The movie ends with a blue-haired woman, who’d been sitting in one of the balcony seats during the Club Silencio sequence, saying, “Silencio.”. A major part of the dream’s narrative involves “Betty” (Diane) helping Rita uncover the mystery of who she is. In Mulholland Drive, Lynch posits that nostalgia for a bygone era of cinema is contributing to the putrefaction of Hollywood, but also suggests that the key to great filmmaking can be found in the classics, so we shouldn’t let go of them entirely. Before this sequence, the very thing that Diane had been yearning for throughout the entire duration of her dream finally happens. But why? All of David Lynch’s movies are difficult to understand. The female relationships in Mulholland Drive – Betty and Rita, and Diane and Camilla, but particularly the former – have been compared to those found in Ingmar Bergman’s Persona and Robert Altman’s 3 Women. Mulholland Drive is a twisting, turning road that tells a story of the history of Hollywood. Rated the #2 best film of 2001, and #15 in the greatest all-time movies (according to RYM users). The large bulk of the movie is a dream that the main character, Diane, is having. Waking up to reality was the only solution to the mystery of who Rita really was and why there was money and a blue key in her purse. They also look at each other in the exact same way that Adam and Camilla looked at each other during their engagement party, but in a very weird, unnatural, forced way. Some people think they are either judges of the jitterbug contest or Diane’s grandparents. You can experience Nonlinear narrative style during this movie. So her subconscious first has Adam feeling “disturbed” by her presence, as if he has sensed that a dark force has entered the studio. Viewers seem split into two camps. The go-to source for comic book and superhero movie fans. It’s very true the dead body could be a reference to both dead camila and suicidal diane, my mind just drifts more towards it being a reference to diane’s suicide because it’s the same bed and all, even has the same green blanket by her feet if my memory is right, and rita being the one reacting to it and not betty I always saw it as a way for her dream to add another layer between her real self and the dream, so she would wake up yet. Perhaps "Mulholland Drive" can be seen as the first surrealist film of the 21st century. It’s more likely to be a wishfulfilment fantasy since every other element in the dream is as well. Jean-Luc Godard famously said, “A story should have a beginning, a middle, and an end, but not necessarily in that order.” But what if, in Mulholland Drive, that’s not the case? RELATED: David Lynch's 10 Best Movies, According To Rotten Tomatoes. The song was written by Petty and his writing partner for the album, Jeff Lynne, and features Lynne on backing vocals and bass guitar.The duo wrote and recorded the single in two days, making it the first song completed for Full Moon Fever. So now Diane lives in apartment 17 instead of apartment 12. Change ), You are commenting using your Google account. Contrary to the reading that only the first half of the movie is a dream, some commentators believe that the entire movie is a dream. For example, in the dress audition scene, there is a brief exchange between Adam and a dark-haired actress named Carol, who looks similar to Camilla. Granted, the film may not be for everyone (my mother considers the title to be a dirty word, though she did dig "Mulholland Drive") but for those who manage to find themselves on its admittedly peculiar wavelength, "Eraserhead" continues to be a stunning work that quite simply redefines what a feature film can do both to and for audiences willing to take the journey. What is so threatening about it? On the other hand, you had people who thought that the movie was a complete and total unmitigated piece of incoherent crap, and that any explanation that anyone can come up with is just a desperate attempt to create something out of nothing. Not for nothing does “Mulholland Drive,” the Lynch movie that has invited the most fervent flurry of explication, end with a word of caution: “Silencio.” The true synopsis of Mulholland Drive can really only be explained by different theories. Dan dying at a convenient moment is also Diane thwarting the dream’s attempt at reminding her of her crime. 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After the party, Diane begins to mentally unravel, whether from psychosis, drug use or a combination of both. Here are some of the most prevalent ones. and again great analysis! This box isn’t a harmless little thing after all! Hi Everyone! A relationship is a bond between two people, and our mental conceptions of them can be wildly different than how they actually are. This is the same logic that applies to dreams. Before she has the chance, though, the phone rings and she decides to go answer it. 4.4 out of 5 stars 60 ratings. It is the place where Diane is picked up by Camilla following her hand in hand up through the secret passage. He begrudgingly accepts, says in an annoyed voice, “This is the girl,” and broods as he smokes a cigarette watching her lip sync. Change ), You are commenting using your Facebook account. It turns the two items into a major mystery that winds up being too intriguing for her alter ego–the oh, so plucky Betty–to ignore. In real life, Camilla was the confident partner in the relationship who constantly took charge and helped Diane while Diane was the emotionally needy, helpless dependent. In short, this part of the dream was both an expression of Diane’s paranoia about “Dan” and a wish fulfillment that something happened to him before he had a chance to tell the cops anything. See all 5 formats and editions Hide other formats and editions. Rather than focusing on the ambitions of any one character, Mulholland Drive can be read as a general treatise on the seductive allure of Hollywood. She was upset that Camilla won the role, because that was the moment when she lost her to Adam. Mulholland Drive (stylized as Mulholland Dr.) is a 2001 American neo-noir mystery film written and directed by David Lynch and starring Justin Theroux, Naomi … Diane bitterly watches the romance unfold from the sidelines as everyone works together on the set of Adam’s movie. Why would Rita do that if the body wasn’t a reference to Camilla? 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Analyse en 5 minutes pour comprendre l'histoire de MULHOLLAND DRIVE de David Lynch. They both go to the back of diner, and a hideous looking, filthy homeless person appears. That’s as good an explanation as any for why she’d get screwed out of a part, so why create this whole other elaborate scenario with these studio mob bosses screwing her out of a different part for a whole other movie? She succeeded in fooling herself, but the dream went, “Not so fast. Many people feel that the bum behind Winkie’s is symbolic of Diane’s fear of failure. The timing of Adam being forced to cast Blonde Camilla, saying “This is the girl,” and then repeatedly staring at her blankly until she nervously runs away is Lynch pretty much saying that the studio bosses are really “her.” They are carrying a revenge fantasy–on her behalf–to screw with Adam, who hates Blonde Camilla because in real life, she planted a kiss on Real Camilla, suggesting to Diane that she is a love rival. Add to this the romantic music in the background about expressing love for someone when adam looks at betty, and what you have is a romantic exchange of looks and admiration.