At some point, the two women audition for a 1960s movie musical being directed by Adam Kesher. Then Rita has a nightmare. The song was written by Petty and his writing partner for the album, Jeff Lynne, and features Lynne on backing vocals and bass guitar.The duo wrote and recorded the single in two days, making it the first song completed for Full Moon Fever. Betty and Rita go the theatre, where a make-up streaked, exhausted woman sings an acapella Spanish version of Roy Orbison’s Crying. Amazon Price New from Used from Audio CD, Soundtrack, 19 Nov. 2001 "Please retry" £4.74 . …We are such stuff As dreams are made of, and our little life Is rounded with a sleep. Relationships are strange. Twin Peaks Actually Explained: A Four-Hour Video Essay Demystifies It All. Les jeunes talents comme Betty rêvent d’Hollywood. He accepts the money and tells Diane that when he’s completed the hit, he’ll give her a key to open something (what that something is is never explained). Betty and Rita have one of the most positive relationships in David Lynch’s filmography (often marked by turbulent, unhealthy relationships), while the use of mirrors and doppelgangers throughout the film play into imagery that is commonly used to represent gay desires. On the one h and, as critic Ignatiy V ishnevetsky has noted, M ulholland Drive is “an avant -garde lm by most So what is that scene on the couch? Vous n'avez rien compris à la fin du (néanmoins) chef d'oeuvre de David Lynch, Mulholland Drive, diffusé ce soir sur Arte ? The timing of Adam being forced to cast Blonde Camilla, saying “This is the girl,” and then repeatedly staring at her blankly until she nervously runs away is Lynch pretty much saying that the studio bosses are really “her.” They are carrying a revenge fantasy–on her behalf–to screw with Adam, who hates Blonde Camilla because in real life, she planted a kiss on Real Camilla, suggesting to Diane that she is a love rival. But Diane doesn’t just fall in love with her. (Some people think that this movie was actually being shot by another director, Bob Brooker). But do we really want to understand it? That’s as good an explanation as any for why she’d get screwed out of a part, so why create this whole other elaborate scenario with these studio mob bosses screwing her out of a different part for a whole other movie? On one hand, you have those who were … Betty, one of the blonde actresses is not Betty- Her real name is Diane Sellwyn. Although David Lynch insists that, unlike some of his other movies (e.g. Probably no film has caused as much consternation as David Lynch’s Mulholland Drive (2001). The last act is reality. Mulholland Drive (2001) BRRip 720p | MKV | 1280 x 720 | x264 @ 2048 Kbps | 2h 26mn | 2,68 Gb Audio: English AC3 5.1 @ 448 Kbps | Subs: English (embedded) Genre: Mystery, Thriller | Director: David Lynch A bright-eyed young actress travels to Hollywood, only to be ensnared in a dark conspiracy involving a woman who was nearly murdered, and now has amnesia because of a car crash. Frankly, the movie could be interpreted as an improved version of Twin Peaks: Fire walk with me. But then “reality” intrudes on the fantasy, and the next thing Diane knows, Masturbation Fantasy Camilla tells her that they can’t continue to see each other anymore. Adam casting Camilla was the moment in real life when Diane lost her and became left behind. I reviewed the UK Blu-ray edition in late 2012. Belle de jour (Bunuel, 1967), Mulholland Drive (Lynch, 2001), Le fabuleux destin d'Amélie Poulain (Jeunet, 2001) Le mythe de Pandore a cliché, depuis l’Antiquité grecque, les potentialités narratives de la boîte : contenant clos, elle dissimule aux regards et conserve des objets, concrets ou métaphoriques, qui, précisément parce qu’ils sont cachés, attisent les curiosités. Approx. Camilla auditions, blows everyone away, and wins the lead easily. It’s the dream intruding on Diane’s fantasy world, going, “Not so fast. By pure dumb luck, joy riders smash into the limo, killing the hit men. So Diane sees Camilla as the perfect person to hitch her wagon to. While Camilla sees Diane as just a friend, Diane falls hopelessly, madly and deeply in love with Camilla. Of course, the “real story” takes a little while to catch on to, but upon further rewatch becomes much more understandable. Découvrez le sens caché du récit du film. Betty is a bright-eyed aspiring actress who arrives in Hollywood, gets to live rent-free at her aunt’s awesome house, and lands a major role almost immediately. £30.00: £4.74: Not only does she draw inspiration from her but relies on her to help her find parts and make inroads in Hollywood. Even though it’s a wishfulfilment thing, there’s always elements of reality creeping in, and hollywood being the antagonist makes more sense thematically for me, it’s how someone like diane would interpret it in her subconscious. ( Log Out /  Camilla nevertheless invites Diane for a night out and sends a limo to pick her up and take her to Mulholland Drive. The singer collapses and is carried offstage. To reiterate, in her dream, Diane creates an alternative fantasy in which everything went the opposite of how it did in real life. Non è possibile visualizzare una descrizione perché il sito non lo consente. But all of a sudden, Rita starts having a nightmare in which she rattles off a bunch of phases in Spanish, including “silencio.” Diane reassures her that everything is okay. This could be perhaps, seeing her as a mentor, Diane had hoped that Camilla would take her along for the ride as she made her way up the ladder. Caché (French: ), also known as Hidden (), is a 2005 psychological thriller film written and directed by Michael Haneke and starring Daniel Auteuil and Juliette Binoche.The plot follows an upper-middle-class French couple, Georges (Auteuil) and Anne (Binoche), who are terrorised by anonymous tapes that appear on their front porch and seem to show the family is under surveillance. The term literally refers to the rot and decay of corpses, but Lynch refers to the putrefaction of Hollywood. Diane not only dreams of herself and Camilla but of other people. She freaks out and wants to cut her hair as a result. Diane and Rita break into apartment 17, walk into the bedroom and find a dead woman lying in the bed who, for some reason, reminds Rita of herself. Camilla is killed. So, what it looks like is that Adam and Camilla showed up right in the beginning of Betty’s story arc to remind Diane of them and the murder. Change ), You are commenting using your Facebook account. Another aspect that supports this theory is the overall feeling we get from the start of the film that the whole thing was a giant sick joke at diane’s expense, that she was doomed from the start, how she remembers the nice and innocent elderly couple at the start as people with malignant intent, who were setting her up for a trap in some way. Shooting on the film starts, and Camilla winds up in the arms of Adam. Diane eventually becomes so angry and bitter towards Camilla that she refuses to have anything to do with her. And it works. You can pretend that Camilla is this other mysterious woman named Rita in your fantasy narrative all you want, but this is the woman you killed. The box may also be an incorporation of what happened between her and Joe at the diner. Robert Sinnerbrink, ‘Cinematic Ideas: David Lynch's Mulholland Drive’, Film-Philosophy… She asks him what it will open and he laughs knowingly. It tells the story of an aspiring actress named Betty Elms (Watts), newly arrived in Los Angeles, who meets and befriends an amnesiac woman (Harring) recovering from a car accident. All seems well and Diane couldn’t be happier. Why? RELATED: 10 Best Performances In David Lynch Films. Film truth(s) by film lovers. You can say this might all be misdirection from Lynch but I personally find there are too many signs pointing towards this interpretation of the scene happening at once, and fewer towards the revenge one, for that to not be the intention. David Lynch’s Mulholland Drive is a puzzle-box of a movie, one that presents hallucination and reality as equal and indistinguishable partners. They both go to the back of diner, and a hideous looking, filthy homeless person appears. L'histoire s'intéresse à ces deux… It’s debatable, and my money is on, “They were just friends; this sexual part was all in Diane’s head.” Many people point to the couch scene as the smoking gun that they were in a sexual relationship, assuming it was a flashback. Roman Polanski, 1976), and Mulholland Drive (dir. She’s Betty, after all, Little Miss Innocent who wouldn’t hurt a fly. Waking up to reality was the only solution to the mystery of who Rita really was and why there was money and a blue key in her purse. Diane hands the hit man, a scruffy-bearded blonde man named Joe, a large wad of cash. It’s all over the place, it doesn’t make sense, and like the glitz of the town it explores, it’s not restricted by the need to be realistic. She notices a guy with prominent eyebrows by the door staring at her during their transaction. 4.4 out of 5 stars 60 ratings. People don’t really know who they are, and figuring out who we are is an ongoing and ultimately futile endeavor, because we’re constantly changing and the endless search for our identity is what shapes our identity. Quinze ans après, je crois avoir enfin compris «Mulholland Drive» Temps de lecture : 10 min. Mulholland Drive (stylized as Mulholland Dr.) is a 2001 surrealist neo-noir mystery film written and directed by David Lynch and starring Naomi Watts, Laura Harring, Justin Theroux, Ann Miller, Mark Pellegrino and Robert Forster. A one-stop shop for all things video games. They have sex. David Lynch, who wrote and directed a film named after Mulholland Drive, has said that one can feel "the history of Hollywood" on it. However, no one is impressed with Diane, and she gets relegated to bit player. When she wakes up, she insists that Diane take her to a theater called Club Silencio. Whether we’re actually in them or looking back on them, they’re not tangible things. She lives in Canada, won a dance contest and is now in California trying to become an actress. She then investigates it. (When she asks “Rita” to rehearse a script with her, Betty” acts her little heart out but Rita reads her lines like a total amateur.) However, I think the explanation behind this sequence is pretty straightforward. One popular theory about the duality of Betty and Diane is that Betty is Diane’s projection of a happier life. But why? Mulholland Drive is a twisting, turning road that tells a story of the history of Hollywood. Type Feature. Diane figures out that Rita has been involved in a mysterious car accident. The singer also symbolizes Camilla’s actual death–almost near the end of her performance, she suddenly collapses to the ground, as if she has died. Diane bitterly watches the romance unfold from the sidelines as everyone works together on the set of Adam’s movie. One popular theory about the duality of Betty and Diane … Heartbroken and mentally unraveling, Diane masturbates in a last desperate bid to hold onto Camilla. Some people have interpreted it as a romantic gaze. In real life, Camilla was the confident partner in the relationship who constantly took charge and helped Diane while Diane was the emotionally needy, helpless dependent.