Oil paint on canvas - Collection of Centre Pompidou, Paris, France. Première grande rétrospective parisienne consacrée à Sonia Delaunay depuis 1967, l’exposition organisée par le Musée d’Art moderne de la Ville de Paris rassemble, aux côtés de trois reconstitutions exceptionnelles d’environnements, plus de 400 œuvres : peintures, décorations murales, gouaches, estampes, mode et textiles. Black, noted in the bunched fabric that wraps around the back and the collar, is used to contain the explosion of color. The Bal Bullier dance hall on the boulevard Saint-Michel in Paris was a gathering place for avant-garde literary and art figures as well as students. Retrouvez les œuvres d’art en vente et toutes les informations sur Sonia Delaunay (français/ukrainien, 1885-1979). And in 1913, Madame Delaunay sparked furore, when she came to an artistic party wearing a dress made by her own hands in the simultanism style. A section of interlocking black and white triangles ground this series of half-circles on one side, connecting with the black of the large circle surrounding the colorful central shape to create a balance across the canvas. Après une période fauve que lui ont sans doute inspirée Vincent van Gogh et Paul Gauguin, elle invente, avec son deuxième mari, une forme de peinture qu'Apollinaire définit du terme vague d'orphisme, qui ne correspond à aucune tendance réelle. Œuvres sur Papier; 274. This change indicates the way she continued to explore her fascination with this theme throughout her career. Tokyo, Musée d'Art Moderne, Robert and Sonia Delaunay, November - December 1979. Although the colors are unrealistic, they are rich and jewel-toned, setting a standard for the rest of her career. The intersection between art and design can be noted in her work on Casa Sonia (1918), the set and costume design of Tristan Tzara's Le Cœur à Gaz (1923) and her textiles, which sold worldwide. Sara Ilinitchna Stern, said Sonia Stern, is adopted by his uncle Henri Terk in 1890. She eventually built a career on designing fashions for dresses, driving caps, swimsuits, shoes, and scarves. Delaunay's passion for exploring the way complementary colors (one primary with one secondary) reacted to one another, was not contained to fine art. The rectangular shapes diminish the fluidity of the circular shapes. Voir plus d'idées sur le thème Sonia delaunay, Femme artiste, Peinture. Delaunay would produce designs, such as this one, in a number of different color combinations; beyond the present one there is a version in red and orange palette, another in blue and purple, and one in brown and tan. Delaunay exhibited this work in the air travel pavilion alongside others she prepared on the same theme. Le texte intégral de l'article est ici →, https://fr.wikipedia.org/wiki/Sonia_Delaunay, Prose of the Trans-Siberian and of Little Jehanne of France, Untitled gouache (Illustration for Tristan Tzara's "Le fruit permis"), Tableau De Bord, Décoration Pour Le Palais De L’Air, Exposition Internationale Des Arts Et Des Techniques Dans La Vie Moderne, Étude Pour Portugal, Panneau Mural Pour Le Pavillon Des Chemins De Fer, Exposition Internationale De Paris, Hélice, Décoration Pour Le Palais De L’Air, Exposition Internationale Des Arts Et Des Techniques Dans La Vie Moderne. From 17 October 2014 to 22 February 201, the Musée d’Art Moderne de la Ville de Paris organized the first major Sonia Delaunay retrospective in Paris since 1967, with three remarkably recreated environments and over 400 works: paintings, wall decorations, gouaches, prints, … Sonia Delaunay (nėe Terk) (November 14, 1885 – December 5, 1979) was a Jewish-French artist who, with her husband Robert Delaunay and others, cofounded the Orphism art movement, noted for its use of strong colours and geometric shapes. Her work extends to painting, textile design and stage set design. Turin, Galerie Martano, Projets d'affiche Sonia Delaunay, October - November 1970, no. View Sonia Delaunay’s 5,657 artworks on artnet. View Sonia Delaunay’s 5,678 artworks on artnet. Layers of semi-circle arcs are unevenly positioned one beside the other, forming a line of disjointed circles along a central axis. Michel Seuphor pense qu'on l'a peut-être trop cantonnée dans la mode : « Je regrette personnellement que pendant de longues années, Sonia Delaunay, au lieu de se vouer entièrement à la peinture, ait dispersé son talent en essayant d'introduire dans la mode les idées simultanéistes de sa peinture[1]. "Sonia Delaunay Artist Overview and Analysis". Le Bal Bullier exemplified Orphism perfectly by allowing the placement of color on the canvas to create both movement and energy. Twelve feet long, this painting was the largest of four versions and the first work exploring contrasting colors (blues and oranges, for example, placed side by side for maximum intensity) on such a large-scale. Par ailleurs, Sonia a eu le privilège d'être la première peintre féminine à voir ses œuvres présenter au Louvre à Paris en 1964. Beginning in the 1930s Delaunay began to explore the subject of "rhythms." This theory explored the visual effect of combining a primary color with a secondary; a technical discovery that enabled artists to intensify the colors of their creations solely by manipulating the placement of color on the canvas, without consideration to subject matter. Breaking away from the descriptive line did not mean becoming sterile. In this painting we see how Sonia tried to replicate the way these artificial lights cast colors onto the sidewalk beneath with by sketching rapid, semi-circular colored lines. Retrouvez nos dossiers, nos portraits, nos entretiens et nos récits. As can be seen in this image, sometimes the colors blend together and make a larger shape (as with the circles on the top center of the canvas) while other times they work against each other (noted in the way some of the circles on the lower half of the canvas seem to break apart from each other). Elle laisse derrière elle une œuvre abondante qui comprend aussi des tissus imprimés, des livres d'artistes, des robes de haute couture dont la célèbre robe de Nancy Cunard. [Internet]. Sonia Delaunay (November 14, 1885 – December 5, 1979) was a Ukrainian-born French artist, who spent most of her working life in Paris and, with her husband Robert Delaunay and others, cofounded the Orphism art movement, noted for its use of strong colours and geometric shapes. The left figure wears a black dress with a ruffled skirt that creates a jagged silhouette. ... Sonia Delaunay. This work also exemplifies the way that life influenced Delaunay's art. The row of dancers spread out under dome lights positively bursts with patches of vibrant primary and secondary colors, illustrating her interest in the simultaneous color theory espoused by mid-19th century chemist Chevreuil. Elle a été naturalisée française grâce à un premier mariage avec Wilhelm Uhde en décembre 1908. As she wrote, "For me, the abstract and the sensual should come together. Her exploration of the interaction between colours has created a sense of … For reasons unknown, she moved to St. Petersburg, where her uncle Henri Terk, a wealthy lawyer, lived. Delaunay's career went well beyond the visual arts, including the design of interior decor, fashion, and fabric. From 4 July to 15 October 2017. The artist described the process she underwent in exploring color as a "period of scales to discover harmonies and dissonances that give colors a life of their own, investing them with a pulse and vibrations which, when later put in order, become rhythms. The figures stand on a blue carpet with a red-lined border in front of a trifold dressing screen wherein each panel has a different color scheme (three to reflect the number of mannequins depicted). On deposit since 21 August 2015: Musée d’Art moderne de la Ville de Paris Sonia Delaunay. Sonia Delaunay was a Ukrainian-born French artist and designer known for her bold use of colorful geometric patterns. This large-scale painting measures almost twenty-three feet long and ten feet high and features a three-blade propeller anchored by a series of circles of various bands of color. ", followed by 535 people on Pinterest. Temporary Exhibition. Oil paint on canvas, - Collection of Musée des Beaux-Arts de Nantes, Nantes, France. Sa première œuvre textile étant une couverture pour son fils Charles. » Concernant la judaïté de Sonia, la plupart des biographies ne la mentionnent pas. Although she had already designed and sold fabrics of her own design in 1925 when she met Joseph de Leeuw, owner and director of the Holland based department store Metz & Co., the friendship quickly developed into a business collaboration resulting in hundreds of fabric designs and lasting through the 1950s. The left third of the canvas is filled with the familiar motif of multi-colored, semi-circular arcs lined up one beside the other to form layers of circles. Surrounding the propeller are depictions of mechanisms including gears and levers, metal disks, and wires in bright colors that project from a blue background composed of other, fainter, painted circles. You entered the wrong email. This dress is of particular importance because it was one of the earliest examples of her unique "simultaneous" dresses. Delaunay's colors are earth tones as well as primaries. Buy online, view images and see past prices for SONIA DELAUNAY D'APRES (1885-1979) - VILLE DE PARIS, 1992. Delaunay's long-format illustration of Blaise Cendrars' poem La prose du Transsibérien et de la Petite Jehanne de France (Prose of the Trans-Siberian and of Little Jehanne of France) can be considered a "simultaneous book." Sonia Delaunay Georges Braque Beroemde Kunst Pointillisme Kubisme Abstracte Kunst Verfkleuren Aquarel Artiesten Beaux Arts décrypte pour vous les œuvres d’art les plus célèbres et vous fait découvrir de nouveaux artistes. Sonia Delaunay (14. november 1885, Hradyzk, Poltava provinsen, Ukraine – 5. december 1979, Paris) var en ukrainsk-jødisk-fransk kunstner som sammen med sin mand, Robert Delaunay og andre, var med til at grundlægge den såkaldte Orphisme bevægelse, en art kubisme med stærke farver. 11. 01.06.2018 - Sonia Delaunay (November 14, 1885 – December 5, 1979) was a Ukrainian-born French artist, who spent most of her working life in Paris and, with her husband Robert Delaunay and others, cofounded the Orphism art movement, noted for its use of strong colors and geometric shapes. Sonia et Robert Delaunay ont surtout travaillé ensemble sur la recherche de la couleur pure et du mouvement des couleurs simultanées, une tendance qui a inspiré d'autres peintres après eux, notamment Fernand Léger et Jasper Johns. Artist's Resale Right Purchase of lots marked with this symbol will be subject to the payment of the artist's resale right.